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They were a highly successful international act before Beatlemania hit, and this song stands testimony of their talent. We’re going back to 1965 to revisit this wonderful song by the American band, The Four Seasons. Well, love him or hate him, Justin Bieber happens to have a massive following of “Beliebers” who claim to love this number. I’d refrain from saying “popular”, since he happens to be one artist who seems to invite love and loathing in equal measure. “Baby” ranks among the Biebs’ best-known songs, released in 2010. Britney’s career took off in a big manner after this song, and it still reminds us of the time when her singing talents were more talked about than her tumultuous private life.
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The Spice Girls were already beginning to fall apart by this time, and it just left the stage open for this young singing sensation from Louisiana to take over. …Baby One More Timeīritney Spears exploded on to the pop scene with this hugely successful single in 1998. And those over 30 are sure to be mouthing, Alright stop/Collaborate and listen/Ice is back with my brand new invention… as they’re reading this. Say what you want to, judge all you want to―but I think it’s safe to say that anyone over the age of 25 right now has lip-synced to this song more than once in their lifetime. If there was a problem, Yo, I’ll solve itĬheck out the hook while my DJ revolves it But what set this song apart was that it talked about estrangement in a very positive light, saying that love is an emotion that never really dies, after all. The 1990s was Mariah Carey’s decade in every sense―she was in the prime of her career, notching up one hit after another. The song essentially talks about how true love triumphs despite the odds stacked firmly against it. R&B queen Mariah Carey gave us this soulful song in 1996. Ooh darling ’cause you’ll always be my baby
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The song went on to be one of the biggest hits of 1994, thanks in part to being featured in the cult classic movie, Reality Bites Always Be My Baby Baby, I Love Your WayĪmerican reggae band, Big Mountain did a cover version of this Peter Frampton classic, giving it a delightful spin. To those of you who’ve never heard this 1991 hit, we urge you to give it a listen―the song’s simplicity retains its freshness even today. The song has an innocent ring to it, and centers around the idea of how a relationship should basically be fun, more than anything else. To love you with the sweetest of devotionĪmy Grant’s Baby, Baby is a sweet song, which also happens to be one of the biggest hits of her career. Sing along, fellas! Popular Songs With ‘Baby’ in the Title Baby, Baby So, here’s the list―we’ve got country, rap, R&B, rock, hip hop, and much more―all of which have the word ‘baby’ in their title. It is no surprise, then, that the songs we’ve got in this list include everyone from the King to Mr. Songwriters, over the years, have been overwhelming in their use of the endearment, ‘baby’. The once-objectionable song is now seen to be sending out a positive message to women, encouraging them to embrace their curves, rather than trying to achieve unrealistic standards of beauty, personified in part by the media and the fashion industry. 22 years since, the song has been revisited by Jonathan Coulton for Glee, and more famously by Nicki Minaj in Anaconda. Sir Mix-a-Lot’s smash hit, Baby Got Back ran into a lot of trouble when it released in 1992, thanks to its rather outspoken rant on women’s posteriors. “So Cosmo says you’re fat/Well I ain’t down with that!” This is a list of 15 most popular romantic songs with the word ‘baby’ in the title. Musically, the band is competent enough, fronted by former John Mellencamp guitarist David Grissom, but it's not enough to save the album.‘Baby’ happens to be one endearment which features a little too often in romantic numbers. Mostly, though, the band relies on cliché punnery such as "Prisoner of the Blues." Particularly offensive is the band's hyperspeed take on Bob Dylan's "It's All Over Now, Baby Blue," in which Patton half raps the song's lyrics in a manner not unlike Mickey Hart's post-Grateful Dead renditions of "Fire on the Mountain." The version is capped by tasteless echo vocals by Sherry Brokus. The one place where the style works - on "Outsider" - is the exception that proves the rule. Patton's lyrics occasionally tap into something interesting, which is usually side-swiped by how proud Patton seems for having written the lyric. It's not so much that songwriter and primary vocalist Jim Patton's voice can't handle the strain - that's fine - but his sheer overemphasis swiftly removes any subtleties that might have been lying in his tales-of-the-common-man lyrics and, ultimately, he comes off as a poor man's Jimmie Dale Gilmore. Forced profundities and even more forced vocals seriously mar Edge City's Mystery Ride.